Boney Look

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This series of still life is mainly by a direct ethical motivation, I placed the bones I eat leftover and other objects which from my life experiences, expressing my feelings, respect of life (for both meanings) and finally present the weird beauty of form and power.

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As the body parts that remain the longest, bones have become a dual metaphor: life and death. This quality brings bones a distinctive aesthetic value, When I put together all the bones from the food I have had in past half year, the scene raises a question.

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I attempt to make it a reminder of my own life and bring life back to its proper gravity.

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Back to the photos, I hope to present the flat vision, without any emotion, through the control of depth and level, eliminating the romantic of still life, and only retained the simple form of the objects.

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In this case, audience can freely move their focus in any points of picture, and connect with any single objects in the picture with their own experience, and further projecting the feeling and resonance of their own life experience.

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基本視力

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這組靜物主要出於一種直接的倫理動機，在照片中我置入了我所吃剩的骨頭與生活中遭遇的物件，來表達我對於生命、生活的感受、敬重及其與之呼應的古怪美感與力量。

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作為生命體留存最長久的部分，骨頭成了生命與死亡的雙重隱喻，進而形成了鮮明的審美氣質。當半年來所吃剩下的骨頭集合在一起，面前的景象就變成了一種質問。

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而我試圖讓它成為對自我生命的提醒，使生活回到它應有的重力之中。

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畫面的處理上，我希望它們在視覺上獲得一種平面感，通過對縱深和層次的擠壓，剔除靜物的浪漫性，而僅僅保留形象的基質，使觀者焦點可以自由地在畫面上游移，與畫面中單個物件產生連結，進而投射出與自身生命經驗的感受與共鳴。